Ocean Beauty: 3D Printing Sea Anemone Decor for Versatile Applications

In this creative expedition, we'll delve into the process of turning Mid-journey sea creature images into 3D-printed décor.

This project was created as a course assignment at the California State University, Long Beach; taught by Behnaz Farahi: DESN 551: Materials, Tools, and Techniques of Prototype.

• Mid-journey AI
• Photoshop
• Rhino / Grasshopper
• PolyJet Multicolor 3D printer

Mid-journey is an innovative image generation tool that enables you to transform your creative vision into stunning visuals.

In the inspiration phase, I explored the ocean's myriad creatures, seeking vibrant beauty and bold patterns. The sea anemone's exceptional charm stood out, making it the focal point of my project.

Here are some prompts for Sea Anemone:

1. "Sea anemone, strong pattern and texture, black background."
2. "A soft, brightly colored sea creature that looks like a flower."

In the upcoming step, I'll explore the Image Sampler, a tool in Grasshopper that I'll discuss in detail. However, before we proceed, it's crucial to prepare our images using Mid-journey and Photoshop.

In Photoshop, I've positioned these selections against a dark background to make the shapes stand out distinctly. This step is essential to ensure seamless integration when placed in the Image Sampler.

While this step may seem straightforward, it plays a critical role in the overall project, ensuring smooth integration into the Image Sampler in the next stage.

In this step, I used the Image Sampler in Grasshopper to import the edited image and create shapes matching the image's features. Although this process can be time-consuming due to fine-tuning through Grasshopper's settings using number bars, the aim is to ensure that each sea anemone is both uniform and distinctive.

After achieving the desired shape, we can proceed to the next project phase.

The final step involves adding texture details. Just drag the image onto the mesh, and it will seamlessly conform to the shape, as it's the same input we used in the Image Sampler.

This step primarily depends on Rhino. Here, we manipulate the mesh by varying its size, angle, and position. We also fine-tune and merge them together. With this done, the project is ready for printing.

And now, we've reached the last phase where I sent the OBJ file for 3D printing.

This adaptable decoration holds potential for various uses. It can be integrated into the design of a glass cup or serve as a lamp base, performing a distinctive role as a unique light switch. The potential applications for this design are plentiful. Be creative!!!!