Fabric Printing With Citra-Solv

Any photograph, image or design that looks good in black and white is a great candidate for printing with Citra-Solv. It's permanent, can be washed in the washer, takes about 2 minutes to do and it's cheap and easy. Once you start printing it's hard to stop because the possibilities are pretty endless.

Citra-Solv must have some other uses besides being used to print images onto fabric but I don't know what those uses are unless I read the side of the bottle. You can do that if you want. I am not going to be pedantic and do it here.

All that matters to you and I is that it is pleasant to smell, but you still need to use it in a well ventilatied room or outside, and you should try not to get it on your hands - it doesn't burn but it's not good for you. Keep it out of your eyes obviously - OK, I read the side of the bottle. A little bit anyway.

There is more info about this in the ironing section - be sure to read that too.

Make a bunch of copies (on a copier) of photos you like or images or designs. Until you get the hang of it keep your images to about 4" x 4" (10 mm) to start with. You will find that you get better the more you do, but in the beginning just use some junky fabric. It takes a little practice to know how hard to burnish, how secure the paper must be not to be moved while you are burnishing and how much Citra-Solv to use.

You can use images that you have on your computer (I am assuming I don't have to say anything about copyright stuff here, you know the drill by now - DONT COPY other's work without permission). Print them in black in white or color - it doesn't much matter as you are going to be making copies of them on the copier that will be in black and white.

You are then going to lay the image upside down, meaning that you will be looking at the back of the paper. Now secure it to the fabric with those pins from the supply list.

As you can see from the above photos the stuff is like water and it's easy to just wipe it across your upside down copy in under a second.

This is where your spoon comes in. It can be a metal or a wooden one, but the idea is to rub and rub the spoon on the image. That rubbing pressure will make the ink, which has been turned into a liquid from the Citra-Solv, transfer to the fabric underneath.

Your printing/burnishing surface must be fairly hard - not as hard as a table and not as soft as a towel on top of a table; newspapers and a piece of fabric give about the right hardness. Think about how the paper would bend if you were burnishing on a really soft surface. Think about your lack of surface area on a really hard surface. Look for something to give you an in-between surface.

In this step you take out all but one pin and take a peek to see how you are doing - is the image all there? Is is smeared? Is is dark enough? I can tell you from experience that once you get the hang of this kind of printing you will not want to take a peek because no matter how careful you are to place the paper back down just right, it usually shifts just a tad. The result is a blurry print.

But the reason I want you to peek at this point is because you are just practicing. Peek enough times and you will soon get to the point that you won't have to.

Sometimes I don't remove the paper at all but iron right on it after burnishing. Sometimes I remove the paper and then iron. Sometimes I think I get a darker print if I iron right through the paper but I think more depends on the weave of the fabric.

Iron on a cloth to protect your ironing board. You are protecting it from smelling like Citra-Solv forever and also in case any ink goes right through your fabric.

I don't think it is a good idea to breath Citra-Solve fumes as they evaporate from the hot iron so you should do this outside or in a well ventilated room or wear a real gas mask. When I am working with it I tend to print many, many images on a piece of fabric so I wear a real gas mask, don't let this deter you from tying this 'ible. I use a lot so I take more precautions. It doesn't say anything on the bottle about it being harmful if inhaled (it does smell pretty good too) so it must not be, but it's just common sense to me. (Yes, I read the side of the bottle after all).

Weave matters. The tighter the weave the more detail you will have in your print.

Poke just a small hole in the top of the Citra-Solv bottle so the stuff doesn't evaporate too fast and so you have more control as you pour it into that shallow dish.

Iron your fabric before you start printing because you really need a flat smooth surface.

If you are printing on a T-shirt put something inside the shirt so you don't have ink bleeding through to the back of the shirt.

I know you will ask but no, you cannot use this technique with stuff you print out from your inkjet printer. I tried it and nothing happens, no ink transfers because no ink dissolves. Laser printers I do not know about - try it and let us know.

An Addtional Note: I tried this technique with a color laser copy (not to be confused with a color laser print, which I have not tried yet) and there was no transfer at all. The color copy (from Kinkos) was a few years old. A brand new copy may have a dfferent effect.

Remember that if you are printing an image with words on it that they (the words) will print in reverse. Actually the image will print in reverse too. You probably already knew that but just in cae you didn't, make them backwards before you make your copy so you can read them. Some really great copiers have this feature - so if yours does, use it. You will only forget one time.

Yes you really can. I have even tried to bleach it with no effect at all. It's on there for good.

Happy Printing. Don't hesitate to ask me questions, and please rate my Ible. Citra Solv has a great link to finding printers and copiers that work well - here.