Egyptian Tomb Inspired Book Nook
Welcome to my first Instructable! During 2020, I was taken with beautiful images of "book nook" dioramas going around the Internet. I don't have any real experience with miniatures but I decided to give it a try anyway as a quarantine craft. This is the result! I certainly made some mistakes along the way, but overall I'm pleased with how it turned out. This may give you some ideas to try designing a diorama of your own.
I went with an ancient Egyptian theme mostly because it's cool, but also because I thought I could get away with making things out of foam, which sounded the simplest and cheapest to me.
I went with an ancient Egyptian theme mostly because it's cool, but also because I thought I could get away with making things out of foam, which sounded the simplest and cheapest to me.
Supplies
Materials I used:
A hinged cardboard box
A craft knife
A small screwdriver (normally used for electronics)
Foam (several thin sheets of fun foam and one sheet of 6mm thick foam)
Modge Podge glue (lots of it)
Acrylic paints
Paint brushes (mostly the cheap kind that could handle working with glue)
Shrink film - the printer friendly kind
Printer paper
Paperclips
Metal thumb tacks
Craft sand
Image editing software (I used Gimp)
Popsicle sticks
A hammer
A nail file
Preparing the Box
I found a cardboard box with a hinged lid at the craft store: I wanted to use that as the base because it would be easy to open the box up and access the inside. I used a craft knife to cut the front of the box open. Then I used a little electrical tape to smooth out the cut edges. I picked electrical tape because of the color, but if I did this again I might use masking tape: it has a better texture for painting and gluing over.
The Doorway
I spent some time looking at images of Egyptian tombs online and found some pictures of doorways carved and painted with hieroglyphs that I wanted to imitate.
I started by cutting a rectangle of my thicker foam sheet, just slightly smaller than the inside of the box, then cut out the opening. I also added a couple of stacked rectangles at the top to give it more dimension.
After a little experimentation on a scrap foam sheet, I used the tip of a small screwdriver to carve the symbols I wanted into the foam. I don't actually read hieroglyphs; I just copied pictures I saw online. It would be rad if I accidentally cursed myself but most likely it's just gibberish.
The most important detail I included was a carving of Ma'at, the goddess of balance. I also used a nail file to weather down some of the edges to try to make it look older.
Finally I coated the entire thing with a layer of modge podge glue. Foam doesn't hold paint well because it's such a porous material, so the glue creates a seal around the foam that paint can hold on to. All of the foam in this project got the same treatment.
I started by cutting a rectangle of my thicker foam sheet, just slightly smaller than the inside of the box, then cut out the opening. I also added a couple of stacked rectangles at the top to give it more dimension.
After a little experimentation on a scrap foam sheet, I used the tip of a small screwdriver to carve the symbols I wanted into the foam. I don't actually read hieroglyphs; I just copied pictures I saw online. It would be rad if I accidentally cursed myself but most likely it's just gibberish.
The most important detail I included was a carving of Ma'at, the goddess of balance. I also used a nail file to weather down some of the edges to try to make it look older.
Finally I coated the entire thing with a layer of modge podge glue. Foam doesn't hold paint well because it's such a porous material, so the glue creates a seal around the foam that paint can hold on to. All of the foam in this project got the same treatment.
Shrink Film Tomb Painting
My parents have a painted sheet of papyrus that my mother got on a trip to Egypt as a teenager; I thought it would be neat to recreate that image as a tomb painting. Rather than try to paint it by hand, I loaded a photo of the papyrus onto my computer and then recreated it in an image editor. I then printed my new version onto a sheet of shrink film.
I made a mistake here: I forgot that the colors in shrink film become much more saturated when the film is shrunk in the oven. The result ended up a lot darker than I wanted. If I did it again, I would use colors much lighter than what I wanted in the full size print.
On the plus side, the shrunk down film has a slightly rough texture that works great for fake stone. It also can be painted, which helped with blending the "painting" in with the other surfaces later on.
I made a mistake here: I forgot that the colors in shrink film become much more saturated when the film is shrunk in the oven. The result ended up a lot darker than I wanted. If I did it again, I would use colors much lighter than what I wanted in the full size print.
On the plus side, the shrunk down film has a slightly rough texture that works great for fake stone. It also can be painted, which helped with blending the "painting" in with the other surfaces later on.
Foam Stone
To get a rough stone-like texture, I grabbed a few sheets of foam and a hammer, then took them outside to the sidewalk. I whacked the back of the foam with the hammer so that the front side would pick up texture from the asphalt. I ended up using two different hammers; a regular one and a rubber mallet, which has slightly different results on the texture.
I cut one sheet into large bricks that I arranged on one side, leaving space for my tomb painting. I deliberately had some space in between the bricks and uneven edges to try to make it look more realistic. I have to admit, this process was so incredibly fussy that I got sick of it. For the other sides I just carved grooves into a full sheet of foam. I glued everything in place, using some paperclips as clamps to hold the edges down while the glue dried. I also did another fit check with the doorway to make sure it still fit with a layer of foam around the box: I ended up having to shave some of the edges down a little.
I cut one sheet into large bricks that I arranged on one side, leaving space for my tomb painting. I deliberately had some space in between the bricks and uneven edges to try to make it look more realistic. I have to admit, this process was so incredibly fussy that I got sick of it. For the other sides I just carved grooves into a full sheet of foam. I glued everything in place, using some paperclips as clamps to hold the edges down while the glue dried. I also did another fit check with the doorway to make sure it still fit with a layer of foam around the box: I ended up having to shave some of the edges down a little.
The Column
I started using an old sheet of paper to make the core, firming a half cylinder that I glued shut. I wrapped it in a sheet of stone textured foam: some rubber bands helped keep that in place while the glue dried. I added some smaller pieces of foam to the top and bottom to shape the column: the easiest way to keep those in place ended up being a few small thumb tacks/brads. I carved some hieroglyphs into the foam then coated everything with modge podge like all the other surfaces I wanted to paint.
The Mummy Case
I had initially intended to make a mummy case out of modeling clay, but a quick test of my very poor sculpting skills made me decide to try something different.
I used a photo of King Tut's coffin, printing out several copies focused on different parts of the case. I cut these out and glued them to a sheet of black foam, then cut them out again. I glued these pieces together, layering parts to try to make the result as 3D as possible. I was very pleased with the results, though I went back in with a marker to cover up all the white paper edges with black.
I used a photo of King Tut's coffin, printing out several copies focused on different parts of the case. I cut these out and glued them to a sheet of black foam, then cut them out again. I glued these pieces together, layering parts to try to make the result as 3D as possible. I was very pleased with the results, though I went back in with a marker to cover up all the white paper edges with black.
Painting
I started by giving everything a base coat of black. This was also when I finished installing the doorway and the column. I decided to paint the outside black as well; the slick outside edges of the craft box also needed a layer of modge podge before they would hold the paint at all.
I had a few false starts on painting the stone, before finally setting on "parchment" colored paint, which looked the most like sandstone out of the combinations I had tried. I also used some watered down brown paint to add some depth to the cracks and crevices. Finally, I used bright colors to paint the carvings on the door and column, imitating colors I'd seen in my online research.
I had a few false starts on painting the stone, before finally setting on "parchment" colored paint, which looked the most like sandstone out of the combinations I had tried. I also used some watered down brown paint to add some depth to the cracks and crevices. Finally, I used bright colors to paint the carvings on the door and column, imitating colors I'd seen in my online research.
Sands of Time... Sort Of
This is a part of the project I would skip entirely if I did this again.
I had an idea of adding sand for some texture and ambiance. The only sand I could find at the craft store, however, was a pale "sparkle sand" that I didn't think looked very realistic. I also was worried about making the sand stick in place.
What I tried to do was mix up a cup of sand with some glue and a little bit of paint. I wanted to make some sticky sand that would stay in place and look a more "sandy" color. What I got was a crumbly paste that spread on way too thick and was hard to work with. I ended up letting it dry then using my nail file to break off most of the sand chunks.
My second attempt worked better: spreading some glue, then sprinkling unmodified sparkle sand on top, then shaking out the excess after the glue dried. That looked nicer and more natural. But again, if I remade this project I would probably skip the sand entirely.
I had an idea of adding sand for some texture and ambiance. The only sand I could find at the craft store, however, was a pale "sparkle sand" that I didn't think looked very realistic. I also was worried about making the sand stick in place.
What I tried to do was mix up a cup of sand with some glue and a little bit of paint. I wanted to make some sticky sand that would stay in place and look a more "sandy" color. What I got was a crumbly paste that spread on way too thick and was hard to work with. I ended up letting it dry then using my nail file to break off most of the sand chunks.
My second attempt worked better: spreading some glue, then sprinkling unmodified sparkle sand on top, then shaking out the excess after the glue dried. That looked nicer and more natural. But again, if I remade this project I would probably skip the sand entirely.
Final Touch
Just for fun I used gold paint to draw some pyramids on the side of the box. You can't see the sides when the book nook is in place on a bookshelf, but I thought it made a nice touch.
Et Voila!
And the diorama is done! I included photos from a few different angles and in a few different types of lighting so you can see all the details. If I were to make this again, I might try to add some electric lighting somehow, but I think having it unlit works OK too.
All in all, this was a really fun project and I think it turned out pretty well for a beginner. I hope you found the process interesting and maybe a little inspiring. Thanks for reading!
All in all, this was a really fun project and I think it turned out pretty well for a beginner. I hope you found the process interesting and maybe a little inspiring. Thanks for reading!